Representation
North America
Jon Aaron
Managing Director
Aaron Concert Artists
331 West 57th St. #344
New York 10019
Phone: 212-665-0313
E-mail: jon@aaronconcert.com
Europe
Valérie Lafont
Cinquièmes Cordes
131, rue Legendre
F-75017 Paris
Phone: +33 (0)1 40 35 71 56
E-mail: valerie@cinquiemescordes.com
Programs
Lost Songs of a Rhineland Harper
IV. The Harper in the Underworld
Felix qui potuit boni
(Rhineland, early 11c)
Another song from the "Consolation of Philosophy" of Boethius. It tells the story of the mythological singer and harper Orpheus, describing his daring voyage into the realm of the dead to rescue his beloved wife, Eurydice, through the power of song. The fact that this song turns up in the Rhineland harper's collection attests to the power of the Orpheus myth in musical circles throughout the early Middle Ages.
Text: (Refrain:) Happy is he who can look into the shining spring of goodness; happy is he who can break the heavy chains of earth.
Long ago the Thracian poet, Orpheus, mourned for his dead wife. With his sorrowful music he made the woodlands dance and the rivers stand still. He made the fearful deer lie down bravely with the fierce lions; the rabbit no longer feared the dog, quieted by his song.
But as the sorrow burned within his breast, the music which calmed all nature could not console its maker. Finding the gods unbending, he went to the regions of hell. There, he sang sweet songs to the music of his harp...songs inspired by his powerless grief and the love which doubled his grief. Hell is moved to pity when, with his melodious prayer, he begs the favour of those shades. The three-headed guardian of the gate is paralyzed by that new song; and the Furies are touched and weep in pity....At last, the judge of souls, moved by pity, declares, "We are conquered. We return this man to his wife, his companion, purchased by his song. But our gift is bound by the condition that he must not look back until he has left hell."But who can give lovers a law? Love is a stronger law unto itself. As they approached the edge of night, Orpheus looked back at Eurydice, lost her, and killed her.
This fable applies to all of you who seek to raise your minds to sovreign day. For whoever is conquered and turns his eyes to the pit of hell, looking into the inferno, loses all the good he has gained.
(Translation: Richard Green [abridged])
Program Archive
Lost Songs of a Rhineland Harper
Upcoming Concerts
28 October 2011
Early Music In Columbus, USA
Chant Wars
13, 14, 15 January 2012
Musée National du Moyen Âge, Paris, France
Frankish Phantoms
25, 26 February 2012
Da Camera of Houston, USA
Fragments for the End of Time
News
Between Music and Story-telling
In the context of a performance by Sequentia of The Rheingold Curse at the Radovljica Early Music Festival (Slovenia) in August, 2011, Benjamin Bagby spoke with Katarina Šter. Read the English original version of the interview here
Bagby and Rodenkirchen on WDR3
In June, 2011, Benjamin Bagby and Norbert Rodenkirchen were interviewed by journalist Anna Austrup for a Sequentia 'Portrait' broadcast in the West German Radio's prestigious 3rd program, in conjunction with a live broadcast concert in Cologne's 'Romanesque Summer' concerts series.
Listen to the recorded interview (in German)
2011 Thornton Scholarship
Laura Osterlund is the recipient of the 2011 Barbara Thornton Memorial Scholarship.
Read more
Benjamin Bagby on WQXR
On January 23, 2011, Bagby joined host David Garland at New York's classical music station, WQXR, to share his insights on the challenges and pleasures of bringing medieval music to life, and to present recordings by Sequentia.
Listen to the recorded interview
Beowulf on DVD
Benjamin Bagby’s legendary performance of the Anglo-Saxon epic Beowulf (part I) recorded live in Helsingborg, Sweden.
Visit the Beowulf website