(exclusive of Europe)
In association for
Season 2016-2017 with:
Aaron Concert Artists
220 West 148th St. 4J
New York City 10039, NY / USA
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Agnethe Christensen, originally from Sweden, studied at the Royal Danish Conservatory and specialized in renaissance and medieval singing with Andrea von Ramm in Basel and furthermore in Rome and Paris. Well known for her unconventional interpretations of modern and classical works, folk and early vocal music. Agnethe has worked with modern composers Luca Lombardi, Palle Mikkelborg, Wolfgang Rihm, Luciano Berio and John Cage, with opera, folk and film music.
Agnethe's expertise is within the field of early music and historically informed folk music and together with ULV where she performs medieval Nordic ballads and sacred music with singer Lena Susanne Norin and fiddle player Elizabeth Gaver, she presents Swedish traditional music in a historic perspective.
Home in Copenhagen she works together with the the medieval ensemble Alba and together with the Welsh harper Helen Davies with traditional music from Shetland, Orkney and the Hebridees searching the old norse influence and reconstructing the old poetry of the past. In the project Music of the Mysteries she collaborates with musicians from both the classical and world music scene.
21 October 2016
Nordic Harp Meeting, lecture-demonstration on early harp
23 October 2016
Copenhagen Renaissance Music Festival
Fragments for the End of Time / Endzeitfragmente
29 October 2016
Der Wanderer (Bagby solo program)
New program given birth at Cambridge University
Following working sessions in 2014-15 with University of Cambridge musicologist Sam Barrett in the USA (Harvard University and Ohio State University) and in Cambridge (Pembroke College), Sequentia was in residence at Cambridge in April for the final rehearsals of the new program 'Monks Singing Pagans'. An informal video of a rehearsal made by the university became a YouTube sensation, with over 500,000 views. In addition to their rehearsals and working sessions on the songs of Boethius, Sequentia gave a masterclass and the premiere performance of 'Monks Singing Pagans', immediately followed by the US premiere during a residency at Dartmouth College (USA). The week spent at Dartmouth included teaching activities in music history, performance practice, Latin poetry and manuscript studies. Sequentia returned to Cambridge in late June to prepare a special program of the Boethian songs, which was given as part of a symposium on medieval Latin song, with a special concert on 2 July in Pembroke College Chapel.
Teaching in Basel and Milano
Benjamin Bagby will be teaching performance courses on medieval song at two music academies this year:
Schola Cantorum Basiliensis (Basel, Switzerland): 31 October to 1 November 2016 and 13-14 March 2017
Scuola Civica di Musica Claudio Abbado (Milano, Italy): 2-3 December 2016 and 16-18 February 2017
Beowulf in Russia
On 8 September 2015, Benjamin Bagby performed Beowulf for the first time in the Russian Federation, in the Tchaikowsky Conservatory in Moscow. Following this, Bagby coached an ensemble of Moscow early music performers for the festival La Renaissance, in preparation for their Russian premiere of the 'Roman de Fauvel' on 12 September in Moscow. For this significant event, Bagby was working with Russian instrumentalists Ivan Velikanov, Danil Ryabchikov and French vocalist Marc Mauillon.