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Vocalist, harper and scholar Benjamin Bagby has been an important figure in the field of medieval musical performance for more than 30 years. After musical studies in the USA (Oberlin Conservatory and Oberlin College) and Switzerland (Schola Cantorum Basiliensis), he and the late Barbara Thornton formed Sequentia in 1977 in Cologne, Germany, where the ensemble was based until Mr. Bagby moved to Paris in 2002.
The years since 1977 have been almost uniquely devoted to the work of Sequentia. Mr. Bagby created more than 70 innovative concert programs of medieval music and music drama, giving performances in Western and Eastern Europe, North & South America, North and West Africa, the Middle East, Japan, Korea, and Australia.
In 1981, the ensemble began to release the first of many LP's and CD's which encompass the entire spectrum of medieval musical practice. Many of these recordings – including the complete works of Hildegard von Bingen (7 CDs) have received awards: the Deutsche Schallplattenpreis (for Vox Iberica, 1993), two Netherlands Edison Awards (for Hildegard von Bingen recordings, 1987 and 1998), a French Disque d'Or (1996), the CHOC of Le Monde de la Musique (2002) and Diapason d'Or (1995 and 1999). Sequentia's best-selling CD, Canticles of Ecstasy, has sold more than 500.000 copies worldwide and was nominated for a Grammy Award as best choral recording.
For all of these recordings, which were researched and assembled by Bagby and Thornton, the accompanying booklets are appreciated for their rigourous scholarly quality, with great attention to detail, to the sources, and to the work of philologists (such as Peter Dronke, Pierre Bec, Heimir Pálsson and Ulrich Mueller) who collaborated on the textual editions. In addition, Sequentia projects witnessed collaboration with musicologists such as Leo Treitler, Edward Roesner, Harmut Möller and Richard Crocker.
The most recent CD releases of Sequentia (Edda: Myths from Medieval Iceland; The Rheingold Curse; Lost Songs of a Rhineland Harper and Fragments for the End of Time) are based solely on the research of Benjamin Bagby, reflecting his interest in oral poetry and the use of traditional music in reconstructing ancient modal vocabularies. They are grouped under the banner ‘The Lost Songs Project.’
Bagby also directs the Sequentia men’s vocal ensemble for the performance of medieval liturgical polyphony and chant, which traces it beginnings to the mid-1980’s. The major project for the men’s voices in 2003-4 was a collaboration – entitled Chant Wars – between Sequentia and the Parisian ensemble Dialogos (dir., Katarina Livljanic). The CD of this program was released by Sony-BMG (DHM label) in 2005. In 2009, he created a new men’s vocal ensemble in Paris, which has toured extensively.
Apart from the research and ensemble work of Sequentia, Mr. Bagby devotes his time to the solo performance of Anglo-Saxon and Germanic oral poetry; an acclaimed performance of the Beowulfepic is an ongoing project, with performances given yearly worldwide, and a DVD production released in 2007.
In addition to reseaching and writing more than 70 program books for festivals and concert series, and writing (or co-authoring, with Barbara Thornton) more than 25 CD booklets, Mr. Bagby has written about performance practice, with articles appearing in Early Music, Early Music America, in the Performer’s Guide to Medieval Music (IU Press) edited by Ross Duffin, in the Basler Jahrbuch für historische Musikpraxis, and in a recent collection of essays, Performing Medieval Narrative.
As a guest lecturer and professor, he has taught courses and workshops at – among others – the Schola Cantorum Basiliensis, Harvard University, the Autunno Musicale (Como, Italy), the Modus Centrum (Oslo), Amherst Early Music (Tufts University), Wellesley College, the University of Texas at Austin, Northwestern University, the New England Conservatory of Music (Boston), Sarah Lawrence College (NY), St. John's College (Santa Fe), Duke University, Stanford University, the Studio Alte Musik (Berlin), the Royaumont Foundation (Paris) and the Stary Sacz Festival (Poland).
In 2000 Bagby was a guest speaker at New York University’s Medieval Studies Program, and he spent a semester as a visiting Krieger Fellow at Case Western Reserve University (Cleveland); in 2001 he was invited as Patten Lecturer at Indiana University (Humanities and School of Music), as a humanities lecturer (together with Ping Chong) at the University of Michigan, and was a guest professor at Illinois Wesleyan University (Bloomington, IL). In 2003 he was awarded a Fortieth Anniversary Fellowship by the Religion and the Arts Initiative (Center for the Study of World Religions, in conjunction with the Music Department) of Harvard University, where he and Katarina Livljanic spent 6 weeks in residence developing the program Chant Wars. In 2004 he was a Trotter Distinguished Visiting Professor (University of Oregon) and in 2007 – again together with Katarina Livljanic – he was a Cornille Distinguished Visiting Professor at Wellesley College. Bagby and Livljanic were visiting instructors at Harvard University in 2011. In 2011 Bagby was also awarded the Howard Mayer Brown Lifetime Achievement Award by Early Music America. Since 2005 Bagby has been on the music faculty of the Université de Paris - Sorbonne, teaching in the master’s programme for medieval music performance.
Mr. Bagby is married to the Croatian singer and musicologist Katarina Livljanic.
Benjamin Bagby: Resume (PDF, 135 KB)
7 August 2015
Vancouver Early Music Festival, Special program: The Queen and the Troubadour
Late April 2016
US Tour (details forthcoming)
History of Sequentia
On 8 April 2015 Benjamin Bagby spoke at the University of Paris (Sorbonne) about the 38-year history of Sequentia, using photos and musical examples to trace the development of the ensemble from its founding in 1977, with Barbara Thornton, to the current programs of ‘The Lost Songs Project’. Bagby’s plan is to eventually begin work on a more detailed history of the ensemble, which he hopes to make available in years to come, chapter by chapter, on the Sequentia website.
A Smithsonian Symposium
Organized by the Smithsonian’s Kenneth Slowik, a symposium at the Smithsonian Institution explored several topics germane to the teaching of historically informed performance practice to collegiate and graduate students in the United States. As an inspirational prelude to the symposium itself, Bagby, co-founder of the medieval ensemble Sequentia, presented his hour and one quarter long solo recitation of the first part of the great medieval Anglo-Saxon saga Beowulf.
Hildegard von Bingen: complete works
Sequentia's recordings of the complete works of Hildegard will be released as a 9-CD box set on the DHM/SONY label on 15 August 2015.
Barbara Thornton Memorial Scholarship
The most recent scholarship (2013) was awarded by Early Music America to mezzo soprano Isabella Shaw.
Beowulf on DVD
Benjamin Bagby’s legendary performance of the Anglo-Saxon epic Beowulf (part I) recorded live in Helsingborg, Sweden.
Visit the Beowulf website