Representation
North America
Jon Aaron
Managing Director
Aaron Concert Artists
331 West 57th St. #344
New York 10019
Phone: 212-665-0313
E-mail: jon@aaronconcert.com
Europe
Valérie Lafont
Cinquièmes Cordes
131, rue Legendre
F-75017 Paris
Phone: +33 (0)1 40 35 71 56
E-mail: valerie@cinquiemescordes.com
Programs
Fragments for the End of Time
Scalam ad caelos
Instrumental piece based on a 9th century Frankish sequence melody
Source: Notker’s Scalam ad caelos (Transcription: R. Crocker) / Reconstruction: Bagby & Rodenkirchen
Here, we reconstruct what could have been an instrumental tradition of Frankish minstrels, using a melody which survived when it was adapted for a sequence by the poet-monk Notker of St. Gall. Although we will never learn the story behind the original melody, we do know of the the power that such tunes had over the centuries, both within the church and ouside it.
Summi regis archangele Michahel
Sequenz ‚quam Alcuinus composuit Karolo Imperatori’ [Sequence‚ which Alcuin composed for the emperor Charlemagne], (Einsiedeln, 10th c., but possibly created earlier: late 8th century)
Source: Einsiedeln, Stiftsbibliothek Codex 121 (10th c.) / Transcription: N. Rodenkirchen
This is one of the most widely-known sequences of the Middle Ages. In the dedication to Charlemagne, attributed to the monk Alcuin, we learn that the emperor is compared to the archangel Michael, who defeated the dragon for the redemption of mankind. We might see the medieval fascination with Christian dragon-killers (also with snakes and dragon-like beasts, especially in connection with the End of Time) as a lingering, subconscious element of pagan culture and mythology. In the case of Summi regis we may have before us an original sequence by Alcuin (who was active among the literati at the court of Charlemagne from 782-789), making it also the earliest-known sequence by a known author to have survived.
Text
Archangel of the Highest King, Michael, listen to our voices, we beseech.
We indeed proclaim you are the prince of the citizens on high. For our sake implore God that he send his help to the wretched.
A princely power has been given to you by the Lord, to save sinning souls. You also have, in perpetuity, pride of place in paradise:all the citizens on high honour you.
In the temple of God you were seen to holda golden censer in your hands. From this the smoke, arising with great fragrance, made its way up to the gaze of God.
When you finished your battle against the great dragon, out of his jaws you plucked many souls. Then a vast silence was brought about in heaven; thousands upon thousands said ‘Glory to the King our Lord!’
Hear us, Michael, highest of angels: come down a little from heaven’s throne, bringing us the strength of the Lord and the relief of his tenderness. Gabriel, lay low our enemies, Raphael, bring a remedy to the sick, purge our diseases, lighten our injuries, and let us take part in the joys of the blessed!
Emperor, your sage plays you these melodies.
Translation: Peter Dronke
Program Archive
Lost Songs of a Rhineland Harper
Upcoming Concerts
28 October 2011
Early Music In Columbus, USA
Chant Wars
13, 14, 15 January 2012
Musée National du Moyen Âge, Paris, France
Frankish Phantoms
25, 26 February 2012
Da Camera of Houston, USA
Fragments for the End of Time
News
Between Music and Story-telling
In the context of a performance by Sequentia of The Rheingold Curse at the Radovljica Early Music Festival (Slovenia) in August, 2011, Benjamin Bagby spoke with Katarina Šter. Read the English original version of the interview here
Bagby and Rodenkirchen on WDR3
In June, 2011, Benjamin Bagby and Norbert Rodenkirchen were interviewed by journalist Anna Austrup for a Sequentia 'Portrait' broadcast in the West German Radio's prestigious 3rd program, in conjunction with a live broadcast concert in Cologne's 'Romanesque Summer' concerts series.
Listen to the recorded interview (in German)
2011 Thornton Scholarship
Laura Osterlund is the recipient of the 2011 Barbara Thornton Memorial Scholarship.
Read more
Benjamin Bagby on WQXR
On January 23, 2011, Bagby joined host David Garland at New York's classical music station, WQXR, to share his insights on the challenges and pleasures of bringing medieval music to life, and to present recordings by Sequentia.
Listen to the recorded interview
Beowulf on DVD
Benjamin Bagby’s legendary performance of the Anglo-Saxon epic Beowulf (part I) recorded live in Helsingborg, Sweden.
Visit the Beowulf website