Representation
North America
Jon Aaron
Managing Director
Aaron Concert Artists
331 West 57th St. #344
New York 10019
Phone: 212-665-0313
E-mail: jon@aaronconcert.com
Europe
Valérie Lafont
Cinquièmes Cordes
131, rue Legendre
F-75017 Paris
Phone: +33 (0)1 40 35 71 56
E-mail: valerie@cinquiemescordes.com
Programs
Fragments for the End of Time
Unsar trohtin hat farsalt
Instrumental version of the Freisinger Petruslied, Bavaria (late 9th century)
Source: München, Bayr. Staatsb. Clm 6260, fol. 158v. / Transcription: N. Rodenkirchen
This processional with refrain is one of the oldest surviving melodies found in a German source. The manuscript is neumed throughout, making a transcription possible.
Thes habet er ubar woroltring
‚De die Iudicii’ from the ‚Gospel Book’ of Otfrid von Weissenburg (Alsace, †875)
Source: Heidelberg, Cod.Pal.lat. 52 / Reconstruction: B. Bagby
This heartfelt description of the final judgement is taken from the Evangelienbuch of the Alsatian monk Otfrid von Weissenburg (the first German poet whose name we know), who wrote commentaries and paraphrases on the Gospels in the local German dialect (which he calls Frankish) of his fellow brothers and the nearby noblemen. In a prologue, he states that a pious matron named Judith urged him on in this work. These verses were not intended for silent reading, but were probably ‚performed’ before a partially pre-literate audience in the style of the Germanic oral poetry long appreciated by learned men and women. Several manuscript sources of this text contain musical notation. Here, in an excerpt from the chapter entitled in die iudicii (‚on the Judgement Day’), we experience Otfrid’s very personal involvement with the terrifying story he has to tell.
Text
For the entire world a judgement day has been set, before a powerful court, and we must fear it. I say this loudly: there will be no one who can avoid appearing before this court!
[Refrain]: On that day of judgement it will go well for those who need not worry about their past deeds, and against whom in that hour no accusation can be brought; for them, protection and a path to safety will still be possible!
Even those wretches who have lived on earth just as they pleased, they too will have to appear. It’s difficult for me to say this: all who were born of woman must be present (my heart is terrified at the thought!), to account for their deeds, one after the other, without exception. A woeful judgement day! [Refrain]
There will be no help, believe me, for anyone; nor will anyone be able to escape. Everyone who is convicted there will suffer the eternal pain of hell’s punishment. [Refrain]
Do you know what the prophet of the Lord says about this time? He says there will be great agony. You can read his words: it is a day of anger, of struggle, of suffering and countless terrors. On that day the angels will loudly blow their horns, which will resound over the earth to awaken the dead. [Refrain]
It is the day of storms and darkness – woe! All sinners will be swept away. What more can I possibly say? It is a day of immense suffering. [Refrain]
Have you read the prophesies, which tell how the Lord will appear threateningly from above, and shake the heavens,? What man on earth could then resist, when the Lord causes even the heavens to quake? Keep this image in your mind: He will fold up the heavens with His powerful hand, like a book snapped shut. [Refrain]
Truly, this day can be compared with no other, and there can be no thought of escaping it. There will be no way to quickly make a secret plan of evasion; even the smallest thought will become known, this is certain! [Refrain].
Translation: B. Bagby (based on Gisela Vollmann-Profe)
Program Archive
Lost Songs of a Rhineland Harper
Upcoming Concerts
28 October 2011
Early Music In Columbus, USA
Chant Wars
13, 14, 15 January 2012
Musée National du Moyen Âge, Paris, France
Frankish Phantoms
25, 26 February 2012
Da Camera of Houston, USA
Fragments for the End of Time
News
Between Music and Story-telling
In the context of a performance by Sequentia of The Rheingold Curse at the Radovljica Early Music Festival (Slovenia) in August, 2011, Benjamin Bagby spoke with Katarina Šter. Read the English original version of the interview here
Bagby and Rodenkirchen on WDR3
In June, 2011, Benjamin Bagby and Norbert Rodenkirchen were interviewed by journalist Anna Austrup for a Sequentia 'Portrait' broadcast in the West German Radio's prestigious 3rd program, in conjunction with a live broadcast concert in Cologne's 'Romanesque Summer' concerts series.
Listen to the recorded interview (in German)
2011 Thornton Scholarship
Laura Osterlund is the recipient of the 2011 Barbara Thornton Memorial Scholarship.
Read more
Benjamin Bagby on WQXR
On January 23, 2011, Bagby joined host David Garland at New York's classical music station, WQXR, to share his insights on the challenges and pleasures of bringing medieval music to life, and to present recordings by Sequentia.
Listen to the recorded interview
Beowulf on DVD
Benjamin Bagby’s legendary performance of the Anglo-Saxon epic Beowulf (part I) recorded live in Helsingborg, Sweden.
Visit the Beowulf website