Programs

Fragments for the End of Time

Fortis atque amara

Frankish sequence (9th century)
Source: Paris, B.N. lat. 1084 / transcription Alejandro Planchart.

The Frankish sequences – newly-created pieces whose role in the liturgy is not always clear to us – were often creations of great beauty and imagination. Some of their melodies may have roots in earlier traditions, and the texts also display a succinct virtuosity, cleverly incorporating imagery from earlier Christian writers in new and surprising ways. This apocalyptic sequence, with its unusual melody, introduces most of the themes in our program.

Text

Full of might and bitter that day shall be, on which all things shall perish: what is seen in bodily form, the earth, and all the creatures that swim.

The gentle judge will draw near, to measure out punishment strictly, and he will judge the ages, he whom created all. The high column of heaven will begin to tremble at his nod. Oh memorable day, on which all things shall be laid open!

And what shall become of the scribe’s mark, what of the tablet, if the column of the sky shall begin to be so afraid? And what shall human beings feel, or earth’s creatures, if the hosts of the heavens shall begin to tremble so?

Oh you who as King lavish all things upon us – the eternal, the present – do not let us go into hell’s loathsome places, the dwellings of the devils – no, lead us to the angels’ realms! Amen.

Translation: Peter Dronke

Program Archive

Lost Songs of a Rhineland Harper

Upcoming Concerts

19 June 2010
Montalbâne Festival, Germany
Fragments for the End of Time

24 September 2010
Cité de la Musique, Paris
The Rheingold Curse

See full concert schedule

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